At a time when few people were talking about far-right violence, Henrike Naumann was already taking an interest in it. The artist responds directly to current events: the resurgence of nationalist violence.
We visited the exhibition “Farsight Freeport,” Lawrence Lek’s first solo exhibition in Switzerland. Transported to a setting in 2065, visitors discover the consequences of labor automation driven by AI.
As part of the 2019 Venice Biennale, we take a look at Dane Mitchell’s work at the New Zealand Pavilion. The hallways and staircases of the Neo-Renaissance palace are empty.
An interview with curator Irene Campolmi on Kris Lemsalu’s work at the 2019 Venice Biennale. A punk, prankster, and feminist, Kris Lemsalu collects objects to create totemic sculptures.
Venice Biennale Special: with Charlotte Laubard and Lorenzo Sandoval. Unlike its pre-war counterparts, the Swiss Pavilion makes no grand statement: there are no columns or giant staircases; everything is flat and easily accessible.
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