With 12 new instructional works created by artists in 2026 for the reconnecting.earth 03 Biennale, the association now has 50 reconnecting protocols! Discover a selection of the new works.
In this interview with L'Art à Genève magazine, discover Bernard Vienat, director and founder of art-werk, art historian and curator, as well as the themes running through the Biennale.
In collaboration with the Parisian magazine Art Mag, art-werk presents here tree interviews with artists featured in the (re)connecting.earth (03) Biennial : Ana Alenso, Séverin Guelpa and Gabriel Massan
After participating in the co-creation workshops for the (re)connecting.earth Biennial, several Geneva elementary school classes are continuing their artistic exploration of natural resources and everyday objects in the classroom.
This experimental and collective process laid the groundwork for the next Biennial by fostering shared reflection on our relationship with natural resources and on socio-ecological transformations.
In this lecture, Prof. Tobias Brosch (University of Geneva), psychologist and head of the Consumer Decision and Sustainable Behaviour Lab, explores the powerful link between emotion, art and sustainable action.
Amid Dadaepo Beach’s beauty and industrial tensions, artists and citizens have collaborated, transforming the shoreline into a living dialogue between land, sea, and society.
At the Sea Art Festival, Diana Lelonek’s immersive installation shows a 360 degrees panorama of a Busan heated by six degrees, blending reality and fiction into a haunting vision of tomorrow.
Artistic Director Bernard Vienat and the (re)connecting.earth 02 team present the aftermovie of the "Beyond Water" nomadic edition in Kiel, with installations from the Stadtgalerie Kiel and the Zoological Museum,
A cargo bike used as a mobile outreach tool? Find out how the (re)connecting.earth Biennale traveled through the city of Kiel to engage with the public during its 2024 nomadic edition.
Olaf Holzapfel’s exhibition “WAND” draws parallels between architecture, the natural world and sustainable materials, combining contemporary art with traditional craft techniques.
Innovation and creativity come together in the fight against climate change through the Creative Climate Leadership (CCL) Switzerland program, which will take place from March 3rd to 8th in Morschach.
This video offers a visual retrospective of the Biennial of Urban Art and Nature (re)connecting.earth (02) – Beyond Water, showcasing the works created for the exhibition as well as the dialogue between art and science.
How often do you eat animal-based products? What is your favorite kind of trash to recycle? In your opinion, what is the ideal temperature for a museum in winter ? Take our online quiz to find out.
The (re)connecting.earth (02) – Beyond Water biennial has come to a close in Geneva. The aim of this biennial was to address a number of challenges relating to the urban environment and the renewal of our connection with the natural world.
"What kind of weird advert is this?" wondered passers-by when they spotted the graphically expressive posters of the exhibition (re)connecting.earth 01 Urban Gardening Berlin ...
In this podcast, we talk to the Chinese artist Zheng Bo about participatory social practices, a post-anthropocentric world, and the current political situation during the pandemic.
Read our interview with Geneva-based Swiss artist Jonathan Delachaux, accompanied by images of his paintings and his studio. Step into his world and discover the stories behind his canvases.
What lessons can we learn from plants and their medicinal powers? Artist Uriel Orlow and curator Andrea Thal share their personal experiences with plants, which have inspired a series of drawings, photographs, and stories.
In this interview, we welcome Berlin-based artist Andreas Greiner. His art draws inspiration from biology and biotechnology and explores the impact humans have on other forms of life.
At a time when few people were talking about far-right violence, Henrike Naumann was already taking an interest in it. The artist responds directly to current events: the resurgence of nationalist violence.
We visited the exhibition “Farsight Freeport,” Lawrence Lek’s first solo exhibition in Switzerland. Transported to a setting in 2065, visitors discover the consequences of labor automation driven by AI.
As part of the 2019 Venice Biennale, we take a look at Dane Mitchell’s work at the New Zealand Pavilion. The hallways and staircases of the Neo-Renaissance palace are empty.
As part of a new generation of eco-artists, Greiner demonstrates that art can explore new forms of representation that shape the viewer, thereby helping them develop a lasting curiosity.
An interview with curator Irene Campolmi on Kris Lemsalu’s work at the 2019 Venice Biennale. A punk, prankster, and feminist, Kris Lemsalu collects objects to create totemic sculptures.
Venice Biennale Special: with Charlotte Laubard and Lorenzo Sandoval. Unlike its pre-war counterparts, the Swiss Pavilion makes no grand statement: there are no columns or giant staircases; everything is flat and easily accessible.
How efficient is art as a tool for the production of alternative forms of knowledge? Art has the potential to present new perspectives and offer new ways of thinking.
We can’t really give science credit for fixing something it destroyed, unless… The concept of scientific fact until proven otherwise exists within a model of truth that is very different from the one sought in the arts.
Interview with Carolina Caycedo. What does the idea of a non-human world mean to you? Do you see it as an inspiring artistic concept or as a real possibility for the near future?
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